Tag: Antipodes

Free Download Jane Davidson, "Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other "
English | ISBN: 036765105X | 2022 | 238 pages | EPUB | 3 MB
There can be little doubt that opera and emotion are inextricably linked. From dramatic Descriptions driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together,

Free Download Jane Davidson, "Opera, Emotion, and the Antipodes Volume II: Applied Perspectives: Compositions and Performances "
English | ISBN: 0367476975 | 2020 | 250 pages | EPUB | 5 MB
There can be little doubt that opera and emotion are inextricably linked. From dramatic Descriptions driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together,

Free Download Jane Davidson, "Opera, Emotion, and the Antipodes Volume II: Applied Perspectives: Compositions and Performances "
English | ISBN: 0367476975 | 2020 | 250 pages | PDF | 6 MB
There can be little doubt that opera and emotion are inextricably linked. From dramatic Descriptions driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together,

Free Download Jane Davidson, "Opera, Emotion, and the Antipodes Volume I: Historical Perspectives: Creating the Metropolis; Delineating the Other "
English | ISBN: 036765105X | 2022 | 238 pages | PDF | 3 MB
There can be little doubt that opera and emotion are inextricably linked. From dramatic Descriptions driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together,

Free Download Peter Schuster, Ulrich Berger, Horst Osswald, "Reuniting the Antipodes – Constructive and Nonstandard Views of the Continuum"
English | 2002 | ISBN: 9048158850, 1402001525 | DJVU | pages: 342 | 2.6 mb
At first glance, Robinson’s original form of nonstandard analysis appears nonconstructive in essence, because it makes a rather unrestricted use of classical logic and set theory and, in particular, of the axiom of choice. Recent developments, however, have given rise to the hope that the distance between constructive and nonstandard mathematics is actually much smaller than it appears. So the time was ripe for the first meeting dedicated simultaneously to both ways of doing mathematics – and to the current and future reunion of these seeming opposites.