Tag: Bastard

Shakespeare’s Bastard The Life of Sir William Davenant


Free Download Simon Andrew Stirling, "Shakespeare’s Bastard: The Life of Sir William Davenant"
English | ISBN: 0750961074 | 2016 | 256 pages | EPUB | 4 MB
Sir William Davenant (1606-1668) – Poet Laureate and Civil War hero – is one of the most influential and neglected figures in the history of British theatre. He introduced ‘opera’, actresses, scenes and the proscenium arch to the English stage. Narrowly escaping execution for his Royalist activities during the Civil War, he revived theatrical performances in London, right under Oliver Cromwell’s nose. Nobody, perhaps, did more to secure Shakespeare’s reputation or to preserve the memory of the Bard.Davenant was known to boast over a glass of wine that he wrote ‘with the very spirit’ of Shakespeare and was happy to be thought of as Shakespeare’s son. By recounting the story of his eventful life backwards, through his many trials and triumphs, this biography culminates with a fresh examination of the vexed issue of Davenant’s paternity. Was Sir William’s mother the voluptuous and maddening ‘Dark Lady’ of Shakespeare’s Sonnets, and was he Shakespeare’s ‘lovely boy’?

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The Greedy Bastard Diary A Comic Tour of America


Free Download The Greedy Bastard Diary: A Comic Tour of America by Eric Idle
English | February 15, 2005 | ISBN: 0060758643, 0060758651 | True EPUB | 336 pages | 3.2 MB
The man who brought you the anthems "Always Look on the Bright Side of Life" and "Sit on My Face and Tell Me That You Love Me" shows his naughty bits – and so much more

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A Bastard Kind of Reasoning William Blake and Geometry


Free Download Andrew M. Cooper, "A Bastard Kind of Reasoning: William Blake and Geometry "
English | ISBN: 1438493223 | 2023 | 323 pages | EPUB, PDF | 9 MB + 15 MB
What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake’s geometry-the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake’s cosmology forms part of his age’s deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and substance. Far from being anti-Newtonian, Blake was prophetically post-Newtonian. His poetry and art realized the revolutionary potential of Enlightened natural philosophy even as that philosophy still needed an Einstein for its physics to snap fully into focus. Blake’s mythmaking exploits the imaginative reach of formal abstractions to generate a model of how sensation imparts physical extension to the world. More striking still, Cooper shows how Blake’s art of vision leads us today to visualize four-dimensional concepts of space, time, and Man for ourselves.

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