Tag: Faber

The Faber Pocket Guide to Ballet


Free Download The Faber Pocket Guide to Ballet By Deborah Bull, Luke Jennings
2004 | 256 Pages | ISBN: 0571207243 | EPUB | 4 MB
This essential pocket guide to this enduringly popular art, is a perfect introduction to over eighty of the most performed ballets today. Spanning nearly two centuries of classical dancing, this indispensable book begins in the Romantic era of the 1830s, moves through the great Tchaikovskly ballets of Tsarist St Petersburg, to the inspirational work of Diaghilev at the beginning of the twentieth century and the luminous neo-classicism of Balanchine. Ashton and Macmillan are covered in depth, and the most recent ground-breaking work brings us up to the present day.

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Faber Pocket Guide to Opera


Free Download Faber Pocket Guide to Opera By Rupert Christiansen
2004 | 416 Pages | ISBN: 0571224598 | EPUB | 4 MB
A handy, readable and easy-to-use opera guide by leading opera critic Rupert Christiansen, containing entries for over a hundred works, both familiar and unfamiliar.

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Faber Pocket Guide to Opera


Free Download Faber Pocket Guide to Opera By Rupert Christiansen
2004 | 416 Pages | ISBN: 0571224598 | EPUB | 4 MB
A handy, readable and easy-to-use opera guide by leading opera critic Rupert Christiansen, containing entries for over a hundred works, both familiar and unfamiliar.

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Berenice and Bajazet (Faber Drama)


Free Download Alan Hollinghurst, "Berenice and Bajazet (Faber Drama)"
English | 2012 | pages: 160 | ISBN: 0571299083 | EPUB | 0,2 mb
The critical event in Berenice, the death of Titus’s father, the Emperor Vespasian, happens a week before the play opens. Thereafter Titus knows that his separation from Berenice is inevitable.Thereafter Titus knows that his separation from Berenice is inevitable. The breaking off of a great love affair involves too the hopes of Antiochus, himself long in love with Berenice. The play pushes all three of its principals to the brink, not of revenge but of self-murder, before in her sublime last speech Berenice redeems and directs them all in an act of collective abnegation.Many tears are shed, but not a drop of blood. The effect is unconventional, and profound: the pained acceptance of the irreconcilable in human affairs, and the surrender, by each of the main characters, of the person they most love. Bajazet is Racine’s most violent drama; it ends, like Phèdre, with a female character’s on-stage suicide, here the culmination of a vividly described sequence of off-stage murders. The setting, in a claustrophobic space within the harem at Constantinople, menaced from both without and within, seems to license a violence of emotion as well as of deed.Violent too are the repeated reversals of fortune, and the terrifying acceleration of the play towards its inexorable catastrophe.

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