Tag: Harold

The Harold Lloyd Encyclopedia


Free Download Annette D’Agostino Lloyd, "The Harold Lloyd Encyclopedia"
English | ISBN: 0786446749 | 2010 | 439 pages | PDF | 58 MB
Harold Lloyd, born in 1893, became one of the greatest comic actors in America. This is a compendium of all things Lloyd, with entries on noteworthy persons, recurring themes, crucial elements of Lloyd’s life (birth, education, marriage, family, hobbies, death, etc.), his prime co-stars and co-workers, the films that made him a legend (201 of them), and numerous other topics covering every facet of the man and the actor, all fully cross-referenced and accompanied by a vast collection of images and advertisements.

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Harold Laski, the Reluctant Marxist Socialist Democracy for a World in Turmoil


Free Download Peter Lamb, "Harold Laski, the Reluctant Marxist: Socialist Democracy for a World in Turmoil "
English | ISBN: 3031657616 | 2024 | 247 pages | EPUB, PDF | 487 KB + 5 MB
This book examines Harold Laski’s relationship to Marxism. Laski was a reluctant Marxist; he had been a pluralist, democratic socialist who wanted to reach a better society by means of parliamentary, constitutional and associational channels. In fact, he never abandoned these early aspirations. In the 1930s and 1940s he wove them into a distinctive Marxist position as he gradually came to believe that there was no answer to Marxist philosophy on history, social change and the prospects for socialism. It is the incorporation of his earlier political thought into his later work that makes his Marxism so fascinating and his work raises important questions.

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A Holistic Perspective on Harold Pinter’s Drama


Free Download Aslı Tekinay, "A Holistic Perspective on Harold Pinter’s Drama"
English | ISBN: 1527551628 | 2023 | 139 pages | PDF | 3 MB
This book provides a holistic approach to Harold Pinter’s plays, from his first play, The Room (1957), to his last play, Celebration (1999). The book is divided into three chapters, organized thematically. The first chapter discusses the early plays―the so-called comedies of menace―concerning the central tropes of secluded settings, intrusion from the outside, and disintegration of the self. The next chapter analyzes Pinter’s memory plays, concentrating on how characters shelter themselves from intrusions through silences and lies. The third chapter examines power games and abuse of power in political plays. The book contributes to the field of Pinter studies by pursuing the thematic, linguistic, and formal elements integral to his aesthetic productions, and delineates the properties that serve as constants in Pinter’s dramatic oeuvre, thus justifying the term Pinteresque: pauses and silences, subtext, anxiety, violence, menace, vulnerability, victimization, intrusion, and power games. The discussions highlight the presence of a solid foundation for his drama―such as his conviction that the past is in the present―and connect all the plays to one another.

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