Tag: Musician

Free Download The Musician’s Guide to Fundamentals (3rd Edition) by Jane Piper Clendinning, Elizabeth West Marvin, Joel Phillips
English | 2018 | ISBN: 0393639185 | 448 Pages | PDF | 55.2 MB
Reorganized and streamlined, the third edition of The Musician’s Guide to Fundamentals features a new, laser focus on the core concepts of music fundamentals. The text features NEW online resources―including formative quizzes and a self-grading workbook―while retaining the Musician’s Guide’s emphasis on real music from Bach to Broadway, Mozart to Katy Perry.

Free Download Jill Timmons, "The Musician’s Journey: Crafting your Career Vision and Plan Ed 2"
English | ISBN: 0197578527 | 2023 | 232 pages | EPUB, PDF | 1291 KB + 3 MB

Free Download Mixerman, "Musician’s Survival Guide to a Killer Record"
English | 2018 | ISBN: 0692194398 | EPUB | pages: 310 | 0.4 mb
Musician’s Record

Free Download Terese Tuohey, "A Musician and Teacher in Nineteenth Century New England: Irving Emerson, 1843―1903"
English | ISBN: 1498500404 | 2015 | 152 pages | EPUB | 2 MB
There is a need for historical studies in music education that focuses on the common person. Historians in general have been doing this for years, but music education history has yet to catch up to the field. Although there have been many biographies and biographical studies about the more well-known music educators, little has been done investigating what teaching was like for the average teacher, and even less is known about teaching music in the early years of music education in the United States. A Musician and Teacher in Nineteenth Century New England: Irving Emerson, 1843-1903 argues that understanding history requires knowledge of the people who lived during the time. This bookfocuses on what Irving Emerson’s life was like as a musician and music teacher during this early and critical period of music education.

Free Download The Musician’s Guide to Record Labels & Record Deals Everything you need to know to survive the music industry
J. Anthony Allen | Duration: 2:40 h | Video: H264 1920×1080 | Audio: AAC 44,1 kHz 2ch | 943 MB | Language: English
This class is all about how bands (and any musical collaborators) work together.
We will start with traditional record label deals, and progress forward to talking about more modern deals. We will talk a lot about the "need" for a record deal in the modern age, and how you can get by without one at all. I’ll walk you through every issue in the contract so you fully understand what is being asked.
This series is pulled directly from the courses I’ve created for my university position in Music Business. All of these courses are designed for the everyday musician – amateur or professional – who has little or no knowledge on the topic, but wants to master it.

Free Download The Musician’s Guide to Publishing & Performing Rights Everything you need to know to survive the music industry
J. Anthony Allen | Duration: 1:49 h | Video: H264 1920×1080 | Audio: AAC 44,1 kHz 2ch | 836 MB | Language: English
This class is all about how bands (and any musical collaborators) work together.
In this class, we start with defining "music publishing" – it is a big topic (and has nothing to do with publishing books…). Then I’ll walk you through how to set yourself up as a publisher so you can take advantage of the performing rights organizations that pay the publisher half of your earnings. I’ll walk you through every step of the process and explain the logic behind every concept.
Here is a list of some of the questions we will answer

Free Download The Musician’s Guide to Distribution & Digital Distribution Everything you need to know to survive the music industry
J. Anthony Allen | Duration: 1:22 h | Video: H264 1920×1080 | Audio: AAC 44,1 kHz 2ch | 648 MB | Language: English
This class is all about how bands (and any musical collaborators) work together.
In this class, we start with the basics of distribution, and how it worked back in the days of physical products. I’ll point you to some resources if you want to release physical products (like vinyl records), but then we will move on to the digital distribution platforms. I’ll take you inside my accounts, look at my royalty statements, and walk you through the process of getting your music distributed.
Here is a list of some of the questions we will answer