Tag: Netherlandish

The Globalization of Netherlandish Art


Free Download Benjamin Schmidt, "The Globalization of Netherlandish Art "
English | ISBN: 9004705848 | 2025 | 332 pages | PDF | 68 MB
Is there a special place for the Low Countries in art history’s current debates on global mobility? How should we conceive of the globalization of Netherlandish art in the early modern period, and in what ways does the distinctively worldly orientation of the Netherlands in this period contribute to early modern visual culture? This volume examines how artworks produced in the wake of European expansion-art produced in the Netherlands in reaction to the world outside of Europe and art made outside of Europe in reaction to encounters with the Netherlands-help us better understand the cultural impacts of globalization.

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Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power


Free Download Elisabetta Toreno, "Netherlandish and Italian Female Portraiture in the Fifteenth Century: Gender, Identity, and the Tradition of Power "
English | ISBN: 9463728619 | 2022 | 368 pages | PDF | 4 MB
This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women’s lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women’s active role in the imaging process and the early instances of a pro-women ideology.

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