Tag: Primitivism

Jewish Primitivism


Free Download Jewish Primitivism (Stanford Studies in Jewish History and Culture) by Samuel J. Spinner
English | July 27, 2021 | ISBN: 1503628272 | True EPUB | 270 pages | 12.1 MB
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism-the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated-was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders.

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Vladimir Markov and Russian Primitivism A Charter for the Avant-garde


Free Download Vladimir Markov and Russian Primitivism: A Charter for the Avant-garde By Bužinska, Irena; Howard, Jeremy; Strother, Z. S
2015 | 274 Pages | ISBN: 1472439740 | PDF | 6 MB
Hailed as a brilliant theoretician, Voldemars Matvejs (best known by his pen name Vladimir Markov) was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. His work had a formative impact on Malevich, Tatlin, and the Constructivists before it was censored during the era of Soviet realism. This volume introduces Markov as an innovative and pioneering art photographer and assembles for the first time five of his most important essays. The translations of these hard-to-find texts are fresh, unabridged, and authentically poetic. Critical essays by Jeremy Howard and Irena Buzinska situate his work in the larger phenomenon of Russian ‘primitivism,’ i.e. the search for the primal. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. Markov composed what may be the first book on African art and Z. S. Strother analyzes both the text and its photographs for their unique interpretation of West African sculpture as a Kantian ‘play of masses and weights.’ The book will appeal to students of modernism, orientalism, ‘primitivism,’ historiography, African art, and the history of the photography of sculpture

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