Tag: Queerness

The Other Olympians Fascism, Queerness, and the Making of Modern Sports [Audiobook]


Free Download The Other Olympians: Fascism, Queerness, and the Making of Modern Sports (Audiobook)
English | ASIN: B0CKM2G1VQ | 2024 | 9 hours and 31 minutes | M4B@64 kbps | 274 MB
Author: Michael Waters
Narrator: Jennifer Pickens

The story of the early trans athletes and Olympic bureaucrats who lit the flame for today’s culture wars. In December 1935, Zdeněk Koubek, one of the most famous sprinters in European women’s sports, declared he was now living as a man. Around the same time, the celebrated British field athlete Mark Weston, also assigned female at birth, announced that he, too, was a man. Periodicals and radio programs across the world carried the news; both became global celebrities. A few decades later, they were all but forgotten. And in the wake of their transitions, what could have been a push toward equality became instead, through a confluence of bureaucracy, war, and sheer happenstance, the exact opposite: the now all-too-familiar panic around trans, intersex, and gender nonconforming athletes.

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Ethnomusicology, Queerness, Masculinity Silence=Death


Free Download Stephen Amico, "Ethnomusicology, Queerness, Masculinity: Silence=Death"
English | ISBN: 3031153154 | 2024 | 252 pages | PDF | 5 MB
This open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity―indissolubly linked to coloniality and epistemic hegemony―and marked by a monologic, ethnocentric silencing of embodied, same-sex desire. Ethnomusicology’s fetishization of masculinizing fieldwork; queerness’s functioning as Anglophone master category; and both domains’ devaluation of sensuality and experience, concomitant with an adherence to provincial, Western conceptions of knowledge production, are revealed as precluding the possibilities for equitable, dialogic pluriversality. Enlisting the sonic as theoretical intervention, the disciplined/disciplining ethno and queer are reimagined in relation to negative emotions and intractable affect, ultimately vanquished, and replaced by explorations of sound, sex/uality, and experiential somaticity within a protean, postdisciplinary space of material/epistemic equity. This uncompromising, long-overdue critique will be of interest to researchers and students from numerous theoretical backgrounds, including music, sound, gender, queer, and postcolonial/decolonial studies.

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