Tag: Technoculture

Free Download Hudson A. R. Bonomo, "The Psychoanalysis in Time of Technoculture: Aporias in a New Time"
English |ASIN : B07PN7CD8H | 2019 | 68 pages | MOBI | 222 KB
This text has as its central theme a subject less and less identified with traditional structures, such as family, society and religion, among others, and increasingly involved in virtual identifications. Using the common language, I problematize the identification of the subject in the contemporary environment and the place of the same in virtualized structures (digital networks). This text is not about technology, but about why they attract us so much. Why do they seem to create a boundary between the physical and the virtual world in our daily lives? Is there really a boundary between an identification in the physical world and a virtual one? How does this affect our intimacy and authenticity as individuals and as part of tribes or groups? I present the arguments for reflection of the reader and propose a non-place clinic, questioning concepts, aiming to motivate the elaboration of future texts on the theme.

Free Download Gameplay mode : war, simulation, and technoculture By Crogan, Patrick
2011 | 222 Pages | ISBN: 0816653348 | PDF | 2 MB
From flight simulators and first-person shooters to MMPOG and innovative strategy games like 2008’s Spore, computer games owe their development to computer simulation and imaging produced by and for the military during the Cold War. To understand their place in contemporary culture, Patrick Crogan argues, we must first understand the military logics that created and continue to inform them. Gameplay Mode situates computer games and gaming within the contemporary technocultural moment, connecting them to developments in the conceptualization of pure war since the Second World War and the evolution of simulation as both a technological achievement and a sociopolitical tool.Crogan begins by locating the origins of computer games in the development of cybernetic weapons systems in the 1940s, the U.S. Air Force’s attempt to use computer simulation to protect the country against nuclear attack, and the U.S. military’s development of the SIMNET simulated battlefield network in the late 1980s. He then examines specific game modes and genres in detail, from the creation of virtual space in fight simulation games and the co-option of narrative forms in gameplay to the continuities between online gaming sociality and real-world communities and the potential of experimental or artgame projects like September 12th: A Toy World and Painstation, to critique conventional computer games.Drawing on critical theoretical perspectives on computer-based technoculture, Crogan reveals the profound extent to which today’s computer games-and the wider culture they increasingly influence-are informed by the technoscientific program they inherited from the military-industrial complex. But, Crogan concludes, games can play with, as well as play out, their underlying logic, offering the potential for computer gaming to anticipate a different, more peaceful and hopeful future.